Why Theatre Windows?
When I first arrived at the theatre at my current school in Taiwan, I was struck by an unusual feature: the house had windows. Sunlight streamed into a space I had always associated with darkness—a secluded cocoon where the magic of theatre takes shape. My initial instinct was to cover those windows with tinfoil and invest in a ghost light, returning the space to the dim, traditional atmosphere I’d always known. But as rehearsals began and the sunlight persisted, my perspective began to shift.
Not only did I come to embrace this unique physical manifestation of culture, but I also came to see the windows not as a distraction, but as a symbol. They invite the outside world into our creative process, illuminating our successes, struggles, and growth. In theatre, we often speak of peeling back the layers to reveal something true and raw. These windows became a metaphor for that transparency, reminding me that the work we do—this living, breathing art form—is meant to be shared, to connect, and to resonate beyond the confines of the stage.
The name “Theater Windows” reflects this philosophy. It’s about embracing the light, inviting others to witness the process, and celebrating the beauty of creation in all its stages. Theatre is not just about polished performances; it’s about the journey, the learning, and the community we build along the way. Through Theater Windows, I hope to share resources, stories, and inspiration that open a window into this incredible art form for all.
Who we are
Sean Graham (he/him) is from Orlando, Florida, the themed entertainment capital of the world. Sean has a B.A. in anthropology from Rollins College, an M.A. in anthropology from National Tsing-Hua University, and is presently working on his MFA in theatre education from Mississippi University for Women. His anthropological research focused on consumer culture, performance, and ritual. Sean is an International Thespian Honor Society alumni and member of EdTA (Educational Theatre Association).
Sean currently works at a public bilingual school in Taiwan as the whole school theatre teacher and director of Taiwan's only International Thespian Society Troupe 11103. Under his guidance, he established the school's theatre program which has grown to have 2-3 productions a semester and a holds an individual event theatre festival modeled after the Thespys in the spring.
Sean formerly worked for over a decade with The Walt Disney Company. His roles included guided and VIP tour guide, show observationist, and Guest Service Manager responsible for show quality at the Main Entrance, Blue Sky Boulevard, and Mickey Avenue at Shanghai Disneyland.
Many years ago Sean traipsed the boards in the roles of Motel (Fiddler on the Roof), Ed Carmichael (You Can't Take it With You), Arnold (The Boys Next Door), Snork (The Elephant Man), and Professor (South Pacific). Nowadays you can catch him honing his comedy skills with the Taichung Improv Group.
Education & Career Goals
Sean currently holds a B.A. and M.A. in anthropology. He is currently working on his MFA in theatre education.
Upon completion he hopes to use his new skills and experience to provide his current students with an exceptional theatre education experience, and contribute to the theatre community in his city.
At present, Sean works at a public bilingual school in Taiwan where he is a homeroom teacher and performing arts teacher for grades 1 thru 12. In the future he hopes to continue his own theater education experience by writing unique, engaging, and entertaining shows, learning alongside his students, and sharing his experiences with others.